In collaboration with Lush Lata. Not a typical film screening, the film will play silently on loop in a cocktail bar with subtitles on, in the middle of a DJ gig with experimental live coded visuals.. more
I Saw the Devil operates with the brutality of a revenge thriller and the emotional exhaustion of a horror film. Kim Jee-woon pushes violence far beyond shock value until it begins to feel corrosive.. more
Suspiria feels like cinema possessed by colour. Dario Argento constructs horror through texture, lighting, sound, and movement until the film stops behaving like reality altogether. Every hallway fe.. more
There is something deeply terrifying about how calm Ingmar Bergman keeps The Virgin Spring. The film moves with the stillness of a religious painting while carrying the inevitability of violence und.. more
Holy Spider by Ali Abbasi excavates the anatomy of violence beneath the guise of moral order, following a journalist’s pursuit of a serial killer targeting sex workers in Mashhad. Anchored in the .. more
The Color of Pomegranates by Sergei Parajanov rejects narrative in favor of ritual, rendering the life of poet Sayat-Nova as a series of meticulously composed tableaux. E.. more
Like Someone in Love by Abbas Kiarostami unfolds as a study in misrecognition, where identities are assumed, performed, and gently destabilised. Set in Tokyo, the film traces an unlikely encounter b.. more
Mirror by Andrei Tarkovsky dissolves narrative into memory, assembling a life through fragments that drift between dream, history, and the subconscious. Eschewing linear plot, Tarkovsky composes a p.. more
